Supplementary Listening Materials
BYU Aural Skills

From Trevor deClerq’s “Aural Skills Exercises and Materials”

Grooves

   Simple Duple / Quadruple

The Police, “Don’t Stand So Close to Me” [50 bpm] [60 bpm] [70 bpm]

Stereolab, “Les Yper Sound” [55 bpm] [65 bpm] [75 bpm]

Air, “La Femme D’argent” [60 bpm] [70 bpm] [80 bpm]

Beastie Boys, “Root Down” [80 bpm] [90 bpm] [100 bpm]

Antonio Vivaldi, Op. 3 no. 6, I [90 bpm] [100 bpm] [110 bpm] [120 bpm]

Curtis Mayfield, “Superfly” [100 bpm] [110 bpm] [120 bpm]

Highwoods String Band, “Hawks & Eagles” [95 bpm] [105 bpm] [120 bpm] [135 bpm] [150 bpm]

Jason Loewenstein, “Casserole” [125 bpm] [140 bpm] [155 bpm]

Standard rock beat [110 bpm] [120 bpm] [130 bpm] [140 bpm] [150 bpm] [160 bpm]

   Simple Triple

G.F. Handel, Op. 6 no. 3 Polonaise [65 bpm] [75 bpm] [85 bpm]

Metallica, “One” [80 bpm] [90 bpm] [100 bpm]

The Police, “Synchronicity” [80 bpm] [90 bpm] [100 bpm]

The National, “Fake Empire” [80 bpm] [90 bpm] [100 bpm] [110 bpm]

   Compound Duple / Quadruple

Led Zeppelin, “You Shook Me” [40 bpm] [45 bpm] [50 bpm] [55 bpm] [60 bpm]

Lynyrd Skynyrd, “Tuesday’s Gone” [40 bpm] [45 bpm] [50 bpm]

   Compound Triple

J.S. Bach, “Jesu, Joy of Man’s Desiring” [40 bpm] [50 bpm] [60 bpm]

Jimi Hendrix, “Manic Depression” [75 bpm] [115 bpm] [130 bpm] [145 bpm]

   Quintuple

Radiohead, “Morning Bell” [125 bpm] [140 bpm] [155 bpm]

Stereolab, “Percolator” [145 bpm] [160 bpm] [175 bpm]

   Septuple

Pink Floyd, “Money” [120 bpm] [135 bpm] [150 bpm]

Stereolab, “Motoroller Scalatron” [120 bpm] [135 bpm] [150 bpm] [165 bpm]

Drones

Mahler, Symphony no. 1 [A] [B] [Db] [Eb] [F] [G]

Big Pad [Ab] [Bb] [C] [D] [E] [Gb]

Organ Drone [A] [Bb] [B] [C] [Db] [D] [Eb] [E] [F] [Gb] [G] [Ab]

Drone Loops

   A major

Death Cab for Cutie, “No Sunlight” [ 150 bpm ]

   A minor

Morcheeba, “Crimson” [ 77 bpm ]

Arcade Fire, “Hey Orpheus” [ 105 bpm ]

Spoon, “I Turn My Camera On” [ 96 bpm ]

   C major

Arcade Fire, “Wake Up” [ 78 bpm ]

Christina Perri, “Miles” [ 78 bpm ]

Alabama Shakes, “Hold On” [ 89 bpm ]

Ben Folds, “Not the Same” [ 97 bpm ]

Arcade Fire, “Hey Orpheus” [ 105 bpm ]

The Strokes, “When it Started” [ 132 bpm ]

Stereolab, “Anonymous Call” [ 135 bpm ]

Avett Bros, “Kick Drum Heart” [ 142 bpm ]

   C minor

DJ Shadow, “Building Steam” [ 83 bpm ]

   Db major

Civil Wars, “Dust to Dust” [ 69 bpm ]

James Morrison, “Dream on Haley” [ 72 bpm ]

U2, “I Still Haven’t Found What I’m Looking For” [ 100 bpm ]

The Script, “Science and Faith” [ 105 bpm ]

   D major

Angels and Airwaves, “The War” [ 95 bpm ]

Arcade Fire, “Keep The Car Running” [ 97 bpm ]

   E major

Phantom Planet, “Anthem” [ 76 bpm ]

of Montreal, “Gronlandic” [ 120 bpm ]

Stereolab, “Emperor Tomato Ketchup” [ 155 bpm ]

   E minor

Black Keys, “Too Afraid to Love” [ 70 bpm ]

   F major

Phillip Phillips, “Hold On” [ 75 bpm ]

   Gb major

Ryan Adams, “Rip Off” [ 70 bpm ]

   F# minor

Michael Jackson, “Billie Jean” [ 117 bpm ]

   G major

Radiohead, “Creep” [ 96 bpm ]

   Ab major

Arcade Fire, “Supersymmetry” [ 108 bpm ]

Matt Nathanson, “Modern Love” [ 110 bpm ]

   A major

Avett Bros, “Tin Man” [ 97 bpm ]

---

Meter ID

Random Simple Meter Example

Random Simple or Compound Meter Example

Rhythms

   Simple Quarters

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ] [ 11 ] [ 12 ] [ 13 ] [ 14 ] [ 15 ]
[ 16 ] [ 17 ] [ 18 ] [ 19 ] [ 20 ] [ 21 ] [ 22 ] [ 23 ] [ 24 ] [ 25 ] [ 26 ] [ 27 ] [ 28 ] [ 29 ] [ 30 ]

ANSWERS

   Simple Eighths

Monotone
[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ] [ 11 ] [ 12 ]

ANSWERS

Major Mode
[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ] [ 11 ] [ 12 ] [ 13 ] [ 14 ] [ 15 ]
[ 16 ] [ 17 ] [ 18 ] [ 19 ] [ 20 ] [ 21 ] [ 22 ] [ 23 ] [ 24 ] [ 25 ] [ 26 ] [ 27 ] [ 28 ] [ 29 ] [ 30 ]

ANSWERS

Minor Mode
[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ] [ 11 ] [ 12 ]
[ 13 ] [ 14 ] [ 15 ] [ 16 ] [ 17 ] [ 18 ] [ 19 ] [ 20 ] [ 21 ] [ 22 ] [ 23 ] [ 24 ]

ANSWERS

   Dotted Quarters

Major Mode
[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ] [ 11 ] [ 12 ]
[ 13 ] [ 14 ] [ 15 ] [ 16 ] [ 17 ] [ 18 ] [ 19 ] [ 20 ] [ 21 ] [ 22 ]

ANSWERS

Minor Mode
[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ] [ 11 ] [ 12 ]
[ 13 ] [ 14 ] [ 15 ] [ 16 ] [ 17 ] [ 18 ] [ 19 ] [ 20 ] [ 21 ] [ 22 ] [ 23 ] [ 24 ]

ANSWERS

   Compound Eighths

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ] [ 11 ] [ 12 ]
[ 13 ] [ 14 ] [ 15 ] [ 16 ] [ 17 ] [ 18 ] [ 19 ] [ 20 ] [ 21 ] [ 22 ] [ 23 ] [ 24 ]

ANSWERS

   Triplets

Major Mode
[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ] [ 11 ] [ 12 ]
[ 13 ] [ 14 ] [ 15 ] [ 16 ] [ 17 ] [ 18 ] [ 19 ] [ 20 ] [ 21 ] [ 22 ]

ANSWERS

Minor Mode
[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ] [ 11 ] [ 12 ]
[ 13 ] [ 14 ] [ 15 ] [ 16 ] [ 17 ] [ 18 ] [ 19 ] [ 20 ] [ 21 ] [ 22 ]

ANSWERS

   Simple Sixteenths

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ] [ 11 ] [ 12 ]
[ 13 ] [ 14 ] [ 15 ] [ 16 ] [ 17 ] [ 18 ] [ 19 ] [ 20 ] [ 21 ] [ 22 ]

ANSWERS

   Dotted Eighths

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ] [ 11 ] [ 12 ]
[ 13 ] [ 14 ] [ 15 ] [ 16 ] [ 17 ] [ 18 ] [ 19 ] [ 20 ] [ 21 ] [ 22 ]

ANSWERS

   Compound Sixteenths

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ]
[ 11 ] [ 12 ] [ 13 ] [ 14 ] [ 15 ] [ 16 ] [ 17 ] [ 18 ]

ANSWERS

   Syncopation

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ] [ 11 ] [ 12 ]
[ 13 ] [ 14 ] [ 15 ] [ 16 ] [ 17 ] [ 18 ] [ 19 ] [ 20 ] [ 21 ] [ 22 ]

ANSWERS

Scale Degrees

   1 Scale Degree (x4)

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ] [ 11 ] [ 12 ]
[ 13 ] [ 14 ] [ 15 ] [ 16 ] [ 17 ] [ 18 ] [ 19 ] [ 20 ]

ANSWERS

   2 Scale Degrees (x2) - Bluegrass

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ] [ 11 ] [ 12 ]
[ 13 ] [ 14 ] [ 15 ] [ 16 ] [ 17 ] [ 18 ] [ 19 ] [ 20 ] [ 21 ] [ 22 ]
[ 23 ] [ 24 ] [ 25 ] [ 26 ] [ 27 ] [ 28 ] [ 29 ] [ 30 ]

ANSWERS

   5 Scale Degrees - Pop

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ] [ 11 ] [ 12 ]
[ 13 ] [ 14 ] [ 15 ] [ 16 ] [ 17 ] [ 18 ] [ 19 ] [ 20 ] [ 21 ] [ 22 ]
[ 23 ] [ 24 ] [ 25 ]

ANSWERS

   8 Scale Degrees

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ] [ 11 ] [ 12 ]
[ 13 ] [ 14 ] [ 15 ] [ 16 ] [ 17 ] [ 18 ] [ 19 ] [ 20 ] [ 21 ] [ 22 ]
[ 23 ] [ 24 ] [ 25 ] [ 26 ] [ 27 ] [ 28 ] [ 29 ] [ 30 ]

ANSWERS

Pitch Patterns

   Stepwise

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ] [ 11 ] [ 12 ]
[ 13 ] [ 14 ] [ 15 ] [ 16 ] [ 17 ] [ 18 ] [ 19 ] [ 20 ] [ 21 ] [ 22 ]
[ 23 ] [ 24 ] [ 25 ] [ 26 ] [ 27 ] [ 28 ]

ANSWERS

   Skipwise

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ] [ 11 ] [ 12 ]
[ 13 ] [ 14 ] [ 15 ] [ 16 ] [ 17 ] [ 18 ] [ 19 ] [ 20 ] [ 21 ] [ 22 ]
[ 23 ] [ 24 ] [ 25 ] [ 26 ] [ 27 ] [ 28 ]

ANSWERS

Intervals

   Major and Minor Seconds

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ]
[ 9 ] [ 10 ] [ 11 ] [ 12 ] [ 13 ] [ 14 ] [ 15 ]

ANSWERS

   + Major and Minor Thirds

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ]
[ 9 ] [ 10 ] [ 11 ] [ 12 ] [ 13 ] [ 14 ] [ 15 ]

ANSWERS

   Intervals in the Major Scale (above DO)

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ] [ 11 ] [ 12 ]
[ 13 ] [ 14 ] [ 15 ] [ 16 ] [ 17 ] [ 18 ] [ 19 ] [ 20 ] [ 21 ] [ 22 ]
[ 23 ] [ 24 ] [ 25 ]

ANSWERS

   Intervals in the Major Scale (moving DO)

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ] [ 11 ] [ 12 ]

ANSWERS

   Intervals in the Minor Scale (above DO)

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ] [ 11 ] [ 12 ]

ANSWERS

Melodies

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ]
[ 11 ] [ 12 ] [ 13 ] [ 14 ] [ 15 ] [ 16 ] [ 17 ] [ 18 ] [ 19 ] [ 20 ]

ANSWERS (C major)
ANSWERS (D major)
Error Detection (C major)

---

Chord Quality

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ]
[ 7 ] [ 8 ] [ 9 ] [ 10 ] [ 11 ] [ 12 ]

ANSWERS

Chord Drills

   Two chords (major)

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ]
[ 11 ] [ 12 ] [ 13 ] [ 14 ] [ 15 ] [ 16 ] [ 17 ] [ 18 ] [ 19 ] [ 20 ]
[ 21 ] [ 22 ] [ 23 ] [ 24 ] [ 25 ] [ 26 ] [ 27 ] [ 28 ] [ 29 ] [ 30 ]
[ 31 ] [ 32 ] [ 33 ] [ 34 ] [ 35 ] [ 36 ] [ 37 ] [ 38 ] [ 39 ] [ 40 ]
[ 41 ] [ 42 ] [ 43 ] [ 44 ] [ 45 ] [ 46 ] [ 47 ] [ 48 ] [ 49 ] [ 50 ]

ANSWERS

   Four chords (major)

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ]
[ 11 ] [ 12 ] [ 13 ] [ 14 ] [ 15 ] [ 16 ] [ 17 ] [ 18 ] [ 19 ] [ 20 ]
[ 21 ] [ 22 ] [ 23 ] [ 24 ] [ 25 ] [ 26 ] [ 27 ] [ 28 ] [ 29 ] [ 30 ]
[ 31 ] [ 32 ] [ 33 ] [ 34 ] [ 35 ] [ 36 ] [ 37 ] [ 38 ] [ 39 ] [ 40 ]
[ 41 ] [ 42 ] [ 43 ] [ 44 ] [ 45 ] [ 46 ] [ 47 ] [ 48 ]

ANSWERS

   Four chords (rock beat)

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ]
[ 7 ] [ 8 ] [ 9 ] [ 10 ] [ 11 ] [ 12 ]

ANSWERS

   Four chords (various styles)

folk/acoustic: [ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ]
contemporary: [ 7 ] [ 8 ] [ 9 ] [ 10 ] [ 11 ] [ 12 ]
pop: [ 13 ] [ 14 ] [ 15 ] [ 16 ] [ 17 ] [ 18 ]
country: [ 19 ] [ 20 ] [ 21 ] [ 22 ] [ 23 ] [ 24 ]
bluegrass: [ 25 ] [ 26 ] [ 27 ] [ 28 ] [ 29 ] [ 30 ]
honkytonk: [ 31 ] [ 32 ] [ 33 ] [ 34 ] [ 35 ] [ 36 ]
latin: [ 37 ] [ 38 ] [ 39 ] [ 40 ] [ 41 ] [ 42 ]
reggae: [ 43 ] [ 44 ] [ 45 ] [ 46 ] [ 47 ] [ 48 ]

ANSWERS

   Four chords in minor (various styles)

reggae: [ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ]
country: [ 11 ] [ 12 ] [ 13 ] [ 14 ] [ 15 ] [ 16 ] [ 17 ] [ 18 ] [ 19 ] [ 20 ]
folk: [ 21 ] [ 22 ] [ 23 ] [ 24 ] [ 25 ] [ 26 ] [ 27 ] [ 28 ] [ 29 ] [ 30 ]
latin: [ 31 ] [ 32 ] [ 33 ] [ 34 ] [ 35 ] [ 36 ] [ 37 ] [ 38 ] [ 39 ] [ 40 ]
rock: [ 41 ] [ 42 ] [ 43 ] [ 44 ] [ 45 ] [ 46 ] [ 47 ] [ 48 ] [ 49 ] [ 50 ]

ANSWERS

Chord Progressions

   I, IV, and V

[ 9 ] [ 11 ] [ 12 ] [ 24 ] [ 30 ] [ 33 ] [ 36 ] [ 39 ] [ 40 ] [ 42 ]
[ 44 ] [ 49 ] [ 51 ] [ 59 ] [ 60 ] [ 65 ] [ 66 ] [ 67 ] [ 71 ] [ 72 ]
[ 73 ] [ 74 ] [ 75 ] [ 76 ] [ 84 ] [ 102 ] [ 103 ] [ 135 ]

ANSWERS

Random Progression

   I, IV, V, and vi

[ 2 ] [ 3 ] [ 6 ] [ 8 ] [ 13 ] [ 14 ] [ 15 ] [ 18 ] [ 19 ] [ 21 ] [ 22 ]
[ 23 ] [ 26 ] [ 34 ] [ 37 ] [ 41 ] [ 43 ] [ 45 ] [ 47 ] [ 48 ] [ 50 ] [ 52 ]
[ 53 ] [ 54 ] [ 55 ] [ 57 ] [ 61 ] [ 63 ] [ 64 ] [ 68 ] [ 69 ] [ 70 ] [ 78 ]
[ 79 ] [ 101 ] [ 104 ] [ 106 ] [ 107 ] [ 108 ] [ 109 ] [ 110 ] [ 111 ] [ 112 ]
[ 113 ] [ 114 ] [ 115 ] [ 116 ] [ 117 ] [ 118 ] [ 119 ] [ 120 ] [ 121 ] [ 122 ]
[ 125 ] [ 126 ] [ 128 ] [ 129 ] [ 130 ] [ 131 ] [ 133 ] [ 134 ] [ 137 ] [ 138 ]

ANSWERS

Random Progression

   All chords in major

[ 1 ] [ 4 ] [ 5 ] [ 7 ] [ 10 ] [ 16 ] [ 17 ] [ 20 ] [ 25 ] [ 27 ] [ 28 ]
[ 29 ] [ 31 ] [ 32 ] [ 35 ] [ 38 ] [ 46 ] [ 56 ] [ 58 ] [ 62 ] [ 80 ] [ 81 ]
[ 82 ] [ 83 ] [ 105 ] [ 123 ] [ 124 ] [ 127 ] [ 132 ] [ 136 ] [ 202 ] [ 203 ]

ANSWERS

Random Progression

   Inverted chords in major

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ]
[ 7 ] [ 8 ] [ 9 ] [ 10 ] [ 11 ] [ 12 ] [ 13 ]

ANSWERS

Random Progression

   Chords in minor

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 7 ] [ 8 ] [ 9 ]
[ 10 ] [ 11 ] [ 12 ] [ 13 ] [ 15 ] [ 16 ] [ 17 ]

ANSWERS

Random Progression

Chord Loops

   I, IV, and V

[ 5 ] [ 6 ] [ 7 ] [ 11 ] [ 21 ] [ 24 ] [ 26 ]
[ 27 ] [ 28 ] [ 29 ] [ 30 ] [ 31 ] [ 33 ] [ 35 ]

ANSWERS

   I, IV, V, and vi

[ 1 ] [ 2 ] [ 8 ] [ 9 ] [ 10 ] [ 12 ] [ 13 ]
[ 15 ] [ 16 ] [ 17 ] [ 22 ] [ 25 ] [ 32 ]

ANSWERS

   ii – V – I progressions

[ C major ] [ F major ] [ Bb major ] [ Eb major ] [ Ab major ] [ G major ] [ D major ] [ A major ] [ E major ]

   I, ii, iii, IV, V, and vi

[ 3 ] [ 4 ] [ 14 ] [ 18 ] [ 19 ] [ 20 ] [ 23 ] [ 34 ]

ANSWERS

   i, iv, v, and VI in minor

[ 3 ] [ 6 ] [ 8 ] [ 10 ]

ANSWERS

   III and VII in minor

[ 1 ] [ 4 ] [ 5 ] [ 7 ] [ 9 ] [ 12 ]
[ Challenge (11) ]

ANSWERS

---

Secondary Dominants

   Secondaries of V

[ 3 ] [ 10 ] [ 12 ] [ 14 ] [ 17 ] [ 18 ] [ 19 ]
[ 20 ] [ 27 ] [ 29 ] [ 30 ] [ 33 ] [ 35 ] [ 38 ]
[ 41 ] [ 51 ] [ 52 ] [ 57 ]

ANSWERS

   Secondaries of IV

[ 4 ] [ 8 ]
[ 25 ] [ 34 ] [ 36 ] [ 37 ]
[ 42 ] [ 45 ] [ 47 ] [ 53 ] [ 56 ] [ 58 ] [ 60 ]

ANSWERS

   Secondaries of ii

[ 1 ] [ 6 ] [ 16 ]
[ 23 ] [ 28 ] [ 39 ]
[ 44 ] [ 48 ] [ 54 ] [ 59 ]

ANSWERS

   Secondaries of vi

[ 5 ] [ 9 ] [ 11 ] [ 13 ] [ 15 ]
[ 22 ] [ 24 ] [ 31 ] [ 32 ]
[ 43 ] [ 46 ] [ 49 ]

ANSWERS

   Secondaries of iii

[ 2 ] [ 7 ]
[ 21 ] [ 26 ]
[ 40 ] [ 50 ] [ 55 ]

ANSWERS

   All Secondaries

Random Secondary Dominant

ANSWERS

---

Modes

   Modal melodies

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ]
[ 11 ] [ 12 ] [ 13 ] [ 14 ] [ 15 ] [ 16 ] [ 17 ] [ 18 ]

   Modal progressions

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ]

Hypermeter

   Hypermeter examples

[ 1 ]

Mode Mixture

   Chord Progressions that use bVII

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ]
[ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ]

ANSWERS