| Name | Last modified | Size | Description | |
|---|---|---|---|---|
| Parent Directory | - | |||
| Texture.pdf | 2011-02-07 04:22 | 573K | ||
| How to Write a Canon..> | 2008-10-28 22:13 | 536K | ||
| Fourth Species.pdf | 2010-11-01 18:02 | 512K | ||
| Two-Phrase Periods.pdf | 2011-01-24 20:14 | 470K | ||
| The Period, Part 1.pdf | 2009-01-24 11:26 | 462K | ||
| Music Theory III Cou..> | 2008-09-08 13:58 | 431K | ||
| Nondominant Seventh ..> | 2011-02-25 06:00 | 423K | ||
| The Rule of the Octa..> | 2008-09-17 08:08 | 404K | ||
| Non-chord tones (Par..> | 2010-10-22 00:30 | 383K | ||
| Phrase connections a..> | 2011-01-31 12:06 | 361K | ||
| The Period, Part 3.pdf | 2009-01-24 12:59 | 360K | ||
| Modes and Cadences.pdf | 2008-08-27 00:10 | 356K | ||
| Modes and Scales.pdf | 2007-03-20 08:17 | 345K | ||
| Music Theory III For..> | 2008-12-04 19:58 | 343K | ||
| Phrase Extension Exa..> | 2008-01-29 23:29 | 339K | ||
| Scales.pdf | 2010-09-10 12:07 | 317K | ||
| Part-writing basics.pdf | 2010-11-11 14:40 | 292K | ||
| Music Fundamentals.pdf | 2010-09-10 12:06 | 280K | ||
| Three and Four-Phras..> | 2011-01-26 00:47 | 269K | ||
| Motives and Sequence..> | 2011-01-19 08:13 | 263K | ||
| Intervals.pdf | 2010-09-13 05:06 | 262K | ||
| Binary and Ternary.pdf | 2011-02-04 02:26 | 260K | ||
| Dominant Sevenths.pdf | 2011-02-21 08:31 | 253K | ||
| Cadences.pdf | 2010-10-12 22:18 | 253K | ||
| Harmonic Progression..> | 2008-10-26 22:07 | 241K | ||
| Species counterpoint..> | 2010-10-27 05:36 | 234K | ||
| Non-chord tones (Par..> | 2008-11-20 15:43 | 229K | ||
| Secondary Dominants.pdf | 2009-02-23 12:17 | 223K | ||
| The Period, Part 2.pdf | 2009-01-24 12:23 | 220K | ||
| Roman numerals.pdf | 2011-09-26 07:57 | 219K | ||
| First Species.pdf | 2010-10-27 10:03 | 211K | ||
| Enharmonics.pdf | 2013-01-23 08:33 | 207K | ||
| Root-Position Part-W..> | 2010-11-15 16:24 | 205K | ||
| Parallel Motion.pdf | 2010-11-15 16:23 | 199K | ||
| Inversions.pdf | 2011-09-26 07:56 | 199K | ||
| The Phrase, Part 1.pdf | 2009-01-17 10:08 | 194K | ||
| Third Species.pdf | 2010-11-01 10:44 | 193K | ||
| Basic Factors in For..> | 2011-01-19 08:23 | 192K | ||
| Position Symbols.pdf | 2010-09-29 05:55 | 185K | ||
| Neapolitan Sixths.pdf | 2009-04-08 00:29 | 182K | ||
| Other Seventh Chords..> | 2008-02-25 13:46 | 177K | ||
| Second Species.pdf | 2010-11-01 10:43 | 174K | ||
| Two-voice Counterpoi..> | 2008-08-27 08:10 | 173K | ||
| Augmented Sixths.pdf | 2008-04-23 15:13 | 170K | ||
| Key Relationships.pdf | 2009-03-15 21:53 | 166K | ||
| Late Renaissance Sty..> | 2009-08-27 14:59 | 159K | ||
| Variation Forms.pdf | 2013-01-19 19:26 | 158K | ||
| Mode Mixture.pdf | 2011-04-09 23:27 | 154K | ||
| Other Means of Modul..> | 2011-04-04 08:31 | 152K | ||
| Phrase Rhythm and Ph..> | 2011-01-20 19:03 | 152K | ||
| Figured Bass.pdf | 2010-09-29 08:29 | 151K | ||
| Wagner.pdf | 2009-02-25 03:12 | 148K | ||
| Secondary Dominant R..> | 2009-03-02 03:05 | 148K | ||
| Schumann.pdf | 2009-02-07 19:21 | 140K | ||
| Second Inversion Tri..> | 2008-11-17 16:26 | 139K | ||
| Triads.pdf | 2013-12-26 11:26 | 135K | ||
| Modes.pdf | 2010-10-27 05:35 | 133K | ||
| The Phrase, Part 2.pdf | 2009-01-17 10:49 | 132K | ||
| Leading-Tone Seventh..> | 2011-02-21 07:18 | 132K | ||
| Secondary Leading-To..> | 2009-02-23 13:52 | 129K | ||
| Common Chord Modulat..> | 2011-04-04 08:32 | 129K | ||
| Sonata Form.pdf | 2008-11-16 21:16 | 129K | ||
| The Early Baroque Pe..> | 2008-09-16 21:24 | 128K | ||
| Canons.pdf | 2010-10-27 10:04 | 126K | ||
| Basics of Set Theory..> | 2011-04-11 12:38 | 124K | ||
| Twelve-tone Serialis..> | 2009-04-17 01:19 | 123K | ||
| Seventh Chords.pdf | 2013-12-26 11:25 | 122K | ||
| Altered Dominants.pdf | 2013-02-20 10:20 | 121K | ||
| Fugue.pdf | 2008-10-27 10:59 | 121K | ||
| Bartok and Stravinsk..> | 2009-04-09 16:01 | 120K | ||
| Mendelssohn.pdf | 2009-02-05 20:24 | 120K | ||
| Berlioz.pdf | 2009-02-05 23:41 | 119K | ||
| First Inversion Tria..> | 2008-11-12 04:51 | 118K | ||
| The Late Renaissance..> | 2009-08-26 10:03 | 113K | ||
| Impressionism.pdf | 2009-03-27 01:48 | 113K | ||
| Expressionism and At..> | 2009-04-16 10:07 | 111K | ||
| The Phrase, Part 3.pdf | 2008-02-03 00:03 | 105K | ||
| The Invention.pdf | 2008-10-17 14:36 | 104K | ||
| Schubert.pdf | 2009-01-28 00:22 | 103K | ||
| Brahms.pdf | 2009-02-26 23:18 | 98K | ||
| The Late Baroque Per..> | 2008-09-23 23:27 | 97K | ||
| JS Bach.pdf | 2008-10-09 10:30 | 96K | ||
| The Trio Sonata.pdf | 2009-09-23 16:48 | 96K | ||
| The Da Capo Aria.pdf | 2008-10-04 12:54 | 95K | ||
| The Classical Period..> | 2008-11-12 04:14 | 94K | ||
| Beethoven.pdf | 2009-01-24 17:43 | 90K | ||
| Chopin.pdf | 2009-02-16 12:07 | 90K | ||
| The Suite.pdf | 2008-10-17 13:56 | 90K | ||
| Two-voice Counterpoi..> | 2010-08-30 10:20 | 89K | ||
| The Romantic Era.pdf | 2009-01-13 10:24 | 88K | ||
| The Classical Concer..> | 2008-12-01 11:33 | 87K | ||
| The Concerto.pdf | 2008-10-04 12:51 | 85K | ||
| Voice-leading invert..> | 2013-12-26 11:31 | 84K | ||
| Modulation Handout.pdf | 2008-03-26 08:47 | 84K | ||
| Chorale-based compos..> | 2008-10-09 10:31 | 84K | ||
| Rhythm and Meter.pdf | 2009-04-01 00:37 | 81K | ||
| Rondo Form.pdf | 2008-11-19 11:11 | 80K | ||
| Multimovement Form.pdf | 2008-11-25 10:48 | 73K | ||
| The Middle Baroque P..> | 2008-09-16 22:13 | 69K | ||
| The Symphony.pdf | 2008-11-25 10:48 | 66K | ||
| Phrase Extension.pdf | 2008-01-31 22:08 | 43K | ||
| Motivic Transformati..> | 2008-01-31 22:56 | 35K | ||